{"id":7530,"date":"2017-04-19T07:20:50","date_gmt":"2017-04-19T05:20:50","guid":{"rendered":"http:\/\/eastwind.es\/marketing\/en\/?p=7530"},"modified":"2017-04-19T23:46:11","modified_gmt":"2017-04-19T21:46:11","slug":"french-palme-dor-winners-rejected-by-hollywood-top-producers-promote-french-cinema-in-singapore","status":"publish","type":"post","link":"https:\/\/eastwind.es\/marketing\/en\/french-palme-dor-winners-rejected-by-hollywood-top-producers-promote-french-cinema-in-singapore\/","title":{"rendered":"French Palme d’Or winners rejected by Hollywood top producers promote French cinema in Singapore"},"content":{"rendered":"

A supposed aspiring French filmmaker sits down with Hollywood\u2019s top producers of big budget blockbusters to pitch his seemingly eccentric movie ideas. The producers do not recognise the stories that actually are the scripts of French film masterpieces.<\/p>\n

Even the very best French film masterpieces wouldn’t have had a chance in Hollywood as they don’t fit the traditional formula, this is the outcome of the experiment conceived, carried out and filmed by O’Gilvy &Mather Singapore for the Alliance Fran\u00e7aise de Singapour .<\/p>\n

\"William<\/a>
William Fay (Executive Producer ) who has been responsible for such titles as Independence Day , 300 and The Hangover, rejects the script of La vie d’Ad\u00e8le (Blue is the Warmest Colour) by Abdellatif Kechiche. This French film was awarded the Palme D’or at the Cannes Film Festival 2013. \u00a9 O’Gilvy&Mather Singapore.<\/span><\/figcaption><\/figure>\n

The Alliance will use the assets from this campaign to promote French films and cultural activities such as Cin\u00e9-Club which hosts weekly screenings of French cinema every Tuesday, Cin\u00e9-Plus which presents special screenings of French films and Cin\u00e9-Kids that promotes French movies for children in Singapore. The global Alliance Fran\u00e7aise network may also use the films to promote additional activities through its 812 establishments in 135 countries.
\nThe viral has been published on 16th April on the You Tube channel of the Alliance.<\/p>\n

\u201cWe are very excited by this campaign as we feel it conveys French cinema\u2019s depth of scriptwriting in a fresh and humorous way. The intention is not to be, obviously, in competition with Hollywood but to broaden audience\u2019s horizons. We\u2019re eager to see how this film will help to promote French cinema in Singapore and abroad and attract larger, more diverse audiences,\u201d said Anne-Garance Primel, Executive Director, Alliance Fran\u00e7aise de Singapour.<\/p>\n

Image over the headline.-<\/strong> William Fay (Executive Producer ) who has been responsible for such titles as Independence Day , 300 and The Hangover, rejects the script of La vie d’Ad\u00e8le (Blue is the Warmest Colour) by Abdellatif Kechiche. This French film was awarded the Palme D’or at the Cannes Film Festival 2013. \u00a9 O’Gilvy&Mather Singapore.<\/span><\/p>\n

Related external links<\/span>:<\/strong><\/span><\/p>\n

Hollywood rejects acclaimed French cinema masterpieces<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

A supposed aspiring French filmmaker sits down with Hollywood\u2019s top producers of big budget blockbusters to pitch his seemingly eccentric movie ideas. The producers do not recognise the stories that actually are the scripts of French film masterpieces. Even the very best French film masterpieces wouldn’t have had a chance in Hollywood as they don’t …<\/p>\n

French Palme d’Or winners rejected by Hollywood top producers promote French cinema in Singapore<\/span> Leer m\u00e1s »<\/a><\/p>\n","protected":false},"author":8,"featured_media":7526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[4],"tags":[5684,5685],"yst_prominent_words":[],"_links":{"self":[{"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/posts\/7530"}],"collection":[{"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/comments?post=7530"}],"version-history":[{"count":0,"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/posts\/7530\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/media\/7526"}],"wp:attachment":[{"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/media?parent=7530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/categories?post=7530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/tags?post=7530"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/eastwind.es\/marketing\/wp-json\/wp\/v2\/yst_prominent_words?post=7530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}