<\/p>\n \u201cThe Escape\u201d by Geisel Productions and Anonymous Content, New York, USA and BMW Films for BMW<\/a><\/span><\/p>\n Narrative<\/span>:<\/span><\/strong><\/p>\n \u201cThe Last Journey of the Enigmatic Paul W.R.\u201d by Lighthouse Films, New York, USA<\/a><\/span><\/p>\n \u201cThe Unbelievers: Burnell Cotlon\u201d by Voyager Creative, Brooklyn, NY, USA for Bai<\/a><\/span><\/p>\n \u201cKolshik\u201d by Great Guns LTD, London, UK, Fancy Shot, St. Petersburg, Russia, and Versus Pictures for the band Leningrad<\/a><\/span><\/p>\n \u201cThe Mother, Daughter and The Lady Spirit\u201d by Pereira & O\u2019Dell, San Francisco, CA, USA<\/a><\/span><\/p>\n \u201cA Love Story\u201d by CAA Marketing, Los Angeles, CA and Passion Pictures, New York, USA for Chipotle<\/a><\/span><\/p>\n \u201cCogs\u201d by ZEILT Productions, Foetz, Luxembourg<\/a><\/span><\/p>\n \u201cCoke Habit\u201d by Dress Code NY Inc., New York, USA<\/a><\/span><\/p>\n \u201cReaction\u201d by dfmn, New York, USA<\/a><\/span><\/p>\n \u201cEvan\u201d by BBDO New York, USA for Sandy Hook Promise<\/a><\/span><\/p>\n \u201cThe World\u2019s Biggest Asshole\u201d by Furlined, Los Angeles, and The Martin Agency, Richmond, USA for Donate Life<\/a><\/span><\/p>\n \u201cWe Are America\u201d by R\/GA, New York, USA for the Ad Council<\/a><\/span><\/p>\n \u201cLooking Back\u201d by FCB Chicago and Lord + Thomas, Chicago, USA<\/a><\/span><\/p>\n \u201cNotes\u201d by BBDO Toronto and Skin and Bones, Toronto, Ontario, Canada<\/a><\/span><\/p>\n \u201cNYC Blizzard\u201d by Derby Content, New York, USA \u201cNever odd or EveN\u201d by Fusion, New York, USA<\/a><\/span><\/p>\n \u201cStyle Frames NYC Opening\u201d by Hornet, New York, USA<\/a><\/span><\/p>\n \u201cSemi Permanent Festival 2017\u201d by Framestore, New York, USA<\/a><\/span><\/p>\n \u201cPossibilia\u201d by eko, New York, USA<\/a><\/span><\/p>\n \u201cBroken Night\u201d by eko, New York, USA<\/a><\/span><\/p>\n \u201cShutterstock Pop Poster Series: \u2018Fences\u2019 \u201d by Shutterstock, New York, USA<\/p>\n \u201cShutterstock Pop Poster Series: \u2018Lion\u2019 \u201d by Shutterstock, New York, USA<\/p>\n \u201cShutterstock Pop Poster Series: \u2018Hidden Figures\u2019 \u201d by Shutterstock, New York, USA<\/p>\n \u201c<\/a><\/span>Hope Inside the Fire\u201d by Bennett Johnson, New York, USA<\/a><\/span><\/p>\n \u201cBolt vs. Flame\u201d by Barry Company, S\u00e3o Paulo, Brazil for Nissan<\/a><\/span><\/p>\n \u201cHikari\u201d by Mindcastle, Seattle, WA, USA<\/a><\/span><\/p>\n \u201cCNN Colorscope Blue\u201d by Dr. James Fox, New York, USA<\/a><\/span><\/p>\n Student<\/span>:<\/strong><\/span><\/p>\n \u201cDeuspi\u201d by Quad Productions<\/a><\/span><\/p>\n Free The Bid-Commercials:<\/span><\/p>\n \u201cThis Girl Can – Phenomenal Women\u201d by Somesuch, London, UK<\/a><\/span><\/p>\n \u201cThe Swim\u201c by Knucklehead, Los Angeles, CA, USA, for Visa<\/a><\/span><\/p>\n \u201cChange the Story\u201d by RadicalMedia<\/a><\/span><\/p>\n Free The Bid-Branded Content:<\/span><\/p>\n \u201cClub 99.7\u201d by Bacon and RSA Films<\/a><\/span><\/p>\n Free The Bid-Music Video:<\/span><\/p>\n \u201cThe Gospel\u201d by Little Minx, Santa Monica, CA, USA<\/a><\/span><\/p>\n Free The Bid-Cinematography:<\/span><\/p>\n \u201cNike + TKA Twigs \u2018Do You Believe In More\u2019 \u201d by Academy+, London, UK<\/a><\/span><\/p>\n Free The Bid-New Women Director:<\/span><\/p>\n![\"\"](\"https:\/\/eastwind.es\/marketing\/wp-content\/uploads\/sites\/2\/2017\/10\/oneScreen_Bestinshow_BMW_The-Scape_RRSS_02.jpg\")
<\/a><\/p>\n<\/a>
\n\u201cLetters from Alcatraz\u201d by Madeline Rozwat, Los Angeles, CA, USA<\/a><\/span><\/p>\n<\/a><\/p>\n
\nDocumentary<\/span>:<\/strong><\/span><\/p>\n<\/a><\/p>\n
\nMusic Video<\/span>:<\/strong><\/span><\/p>\n<\/a><\/p>\n<\/a><\/p>\n
\nAnimation<\/span>:<\/strong><\/span><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n
\nBranded Entertainment<\/span>:<\/strong><\/span><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n
\nBudget Under $10,000<\/span>:<\/span><\/strong><\/p>\n<\/a><\/p>\n<\/a>
\n<\/a><\/p>\n
\nMobile Film<\/span>:<\/strong><\/span><\/p>\n<\/a><\/p>\n
\n<\/a><\/span><\/p>\n<\/a><\/p>\n
\nTitle and End Credit Sequence<\/span>:<\/strong><\/span><\/p>\n<\/a><\/p>\n<\/a>
\n<\/a><\/p>\n
\nExperimental<\/span>:<\/strong><\/span><\/p>\n<\/a><\/p>\n
\nVirtual Reality<\/span>:<\/strong><\/span><\/p>\n<\/a><\/p>\n
\nMovie Poster<\/span>:<\/strong><\/span><\/p>\n
\nEmerging Director<\/span> (less than three years experience):<\/strong><\/span><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n
\nEmerging Writer<\/span> (less than three years experience):<\/span><\/strong><\/p>\n<\/a><\/p>\n<\/a><\/p>\n
\nOne Screen-Free The Bid Award winners celebrating women in film are as follows<\/span>:<\/strong><\/span><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n